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The name of the necklace speaks for itself; it was taken from the verses of A.S.Pushkin’s poem “Ruslan and Lyudmila”: “On seashore far a green oak towers, Materials, used in this piece of art: Jasper cabochon, antique Italian micro beads (# 18-24), Japanese glass beads size 11; acorns; metal golden chains.
This necklace I created as a transformer: you could wear it differently, changing the pendant (I made additional pendant to this necklace in a shape of a leaf, using my own technique “Micro bead netting in embroidery”) or you could wear all parts separately – the necklace also looks great without any pendant, and pendant looks very attractive by itself. Many people are wondering about the size of the beads which I’m using. This picture will give you exact image of differences in sizes between contemporary beads size 11 and antique little ones. Materials, used in this necklace: glass ruby cabochons, antique Italian glass micro beads (sizes 18-22), Czech glass micro cuts, black pearls, haematite beads, Swarovski crystals, gold-filled clasp.
This necklace was created using my own techniques “Micro-bead netting in embroidery”. Work on this project of beading art took over 100 hours. Materials, used in this necklace: malachite cabochons and beads, Japanese beads size 11, 15, antique Italian micro beads sizes 18, 20, 24; gold-plated charlottes, black-greenish pearls, Czech micro cuts, Swarovski crystal beads, Onyx beads, gold -filled findings.
Materials, used in this necklace: Japanese glass beads sizes 10 and 11, Swarovski glass pearls, Czech glass drop beads, Crystal beads, “cat’s eye” glass beads, sterling silver clasp. One of the most interesting things about living in Korea with a little girl is how the people here go crazy here. Everyone who goes anywhere with us in the country is amazed at how it’s practically like the paparazi surrounding Angelina Jolie or Brad Pitt when we go anywhere. Sometimes it gets a little annoying but we’ve gotten used to it and enjoy how a wave of smiles follow us where ever we go. This last weekend we spent some time on a beach and she was the star. Everyone had to come by and watch her playing in the sand. It was really funny one time when I was concentrating on flying my new kite and she knocked a chair she was sitting on over. I heard about 20 Koreans all inhale sharply all at one time and could hear them start running. I turned and saw her looking up at me startled but then she laughed and there was a collective sigh of relief that she wasn’t hurt. I’m attaching a video here of what a typical reaction to foreign kids is like here in Korea. Today tanya and I headed over to busa to see the 2009 Fireworks Festival. We went the the festival last year and both of us thought it was the most Amazing show we’ve ever seen. This years show was just as good and we got to experience some wonderful Korean hospitality on the gwangali beach. When we got to the beach at about 6:40pm it was already very cowded and we were trying to find a seat. A Korean lady with a bunch of little kids near her waved to us and gave us some seats on their blankets. The little girls gave us some cookies and had fun trying to talk with us. It was also really fun to listen to their excitement throughout the show. After the 45 minute long show (felt like 10 minutes) we then headed back to the subway station. It was a scene reminiscent of the Japanese train stuffers and the streets were like rivers of humanity.
Materials used in coulombs: kaplevidnye Czech glass beads, beads Shvarovski, glass cabochon, Japanese beads number 11, 15, an antique Italian mikrobiser № 18,20, as well as mikrorubka; leather, waxed thread silamid, leather cord. Last year while visiting her home in Magadan, a local news station did a story about Tanya’s beadwork and her mother’s green thumb. I was going through some files and found this and now it’s posted for your viewing enjoyment. Unfortunately, the video is Russian but I hope to be able to add in some subtitles soon.
The idea of this set sprang up in my mind when I was looking through the old issues of ”Beadwork” magazine. my eye stopped at one of the brooches of Nome May, created in the shape of a flower (“Beadwork”, April/May 2002, p.14) In this set I wanted to show the joy which suns warmth brings to nature and to our lives every year. With the vivid colors, combined in these pansies – bright yellows, reds and greens, this captures the spirit of summer; and in spite of classic noble materials, which I used in this necklace (pearls and coral), the feeling and whole impression of this set is quite opposite from the classic elegance – YES! SUMMER FUN! Materials, used in the set: Japanese seed beads # 15,11; antique Italian microbeads # 18,20; pearls and coral; leather and Sylamid waxed thread; gold-filled clasp. |
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